After my mammoth session of catching up with Alastair Reynolds books, I decided to move on to something a little lighter for a while. This is the first of two so far in a series (I’m now reading the sequel, Ghost of a Smile) by Simon R. Green. Green is another author who throws in ideas left right and centre, rather like Stross and Reynolds in that regard. He also mines his own past work and that of classic authors for throwaway links, somewhat like Kim Newman (Ano Dracula, Diogenes Club). In particular this series is probably set in the same world as both his Nightside sequence and his Secret Histories sequences, both also contemporary hidden-world urban paranormal. I say probably because although the Nightside and Secret Histories are clearly linked, this one hasn’t been brought in directly yet. Anyway, this book introduces the Carnacki Institute, who deal with ghosts and related weirdness. The name is drawn from William Hope Hodgsen’s classic tales of Carnacki the Ghost Finder (as is the name of the series “Ghost Finders”) which stories I have also read and enjoyed. As Hodgson died in 1918 his works are out of copyrght and Green is able to include his characters and settings (though bringing them up to date) without worrying about copyright problems. He throws in many other similarly-sourced things in the Nightside books particularly and even some where he skates close to the edge such as the “Travelling Doctor” (clearly The Doctor from Dr Who, but very carefully described at a distance in such a way as to avoid over-zealous copyright lawyers).
In many of his books, the Nightside and Ghost Finders series particularly, Green seems to subscribe to the Moorcock approach to fantastic fiction writing described by Moorcock in “Death is No Obstacle” by Colin Greenland (interviews of Moorcock by Greenland). These are short books by modern standards (about 250 pages) and the action races along. No more than three pages of description without something happening. Also in contrast to Reynolds work which typically covers months, years, decades, centuries, millenia or even aeons of subjective and/or objective time, the 250 pages here comprise of one half hour introductory episode followed by three or four hours or so of the main plot (the second book seems similar). In some ways this read more like a novelisation of a TV show episode than your usual novel. Green makes all of this work and I’m a big fan of his books. They’re not deep or highly stylistic. They are fun, light reads with well-drawn characters that you can get along with (but who have their own quirks). As another reviewer once wrote of David Eddings, these are two dimensional characters, but they’re certainly drawn in exquisite detail in those two dimensions. A distinct contrast to what I’ve been reading lately, but well worth it, particularly if you’ve read the earlier works in this oeuvre by the likes of Hodgson, Wellman or other modern heirs like Newman. Green seems to be churning these three series out one in each every year, but their quality doesn’t seem to be suffering at all, and he doesn’t seem to be running out of ideas, either.
This shows what can be done when the ridiculous excesses of copyright are removed from the equation, and a good modern writer gets to remix ideas from classics of the genre.